So who’s this guy?
Kevin Senzaki!
I’m an award-winning and losing * sound supervisor and sound designer with over a decade of experience in films, television, commercials, video games, VR, tech, and new media.
Sound is story. I approach sound design as a constructive process that elevates the image and completes the whole. Whether it’s providing narrative clarity, punching up a joke, or creating an entirely unseen character from scratch, my goal is crafting sound that tells your story better.
I'm best-known for intense and absorbing sound design, bringing to life the terrifying yet flawed and vulnerable aliens in Hope, nature’s fury in HBO’s 100 Foot Wave, a fictional film trilogy from the past in Immortality, and high-octane action for YouTube heavyweights RocketJump and Corridor Digital, where my work has accumulated over 1.5 billion views. I equally enjoy more subtle creativity, bringing to life the subjective soundscapes of Tokyo in Rental Family, and Houston, Texas in Netflix’s Palestinian-American dramedy Mo.
I have a lifelong passion for self-learning, pressing buttons, and creative discovery, and received a formal education at USC’s School of Cinematic Arts. I’m based in Los Angeles, and am an IATSE Local 700 and MPSE member.
* 2026 MPSE Golden Reel Award Nominee, Sound Editing for Non-theatrical Documentary, 100 Foot Wave
2025 Emmy Awards Nominee, Outstanding Sound Editing for Nonfiction or Reality Program, 100 Foot Wave
2025 Music+Sound Awards Nominee, Best Sound Design in a Series or Programme, Mo
2024 MPSE Golden Reel Award Nominee, Sound Editing for Non-theatrical Documentary, 100 Foot Wave
2023 Emmy Awards Nominee, Outstanding Sound Editing for Nonfiction or Reality Program, 100 Foot Wave
2023 MPSE Golden Reel Award Winner, Game Dialogue / ADR, Immortality
2023 Midwest Slam Fest Winner, Best Sound, The Autumn Girl
2022 Independent Horror Movie Awards Nominee, Best Sound, The Finger
2019 Eclipse Awards Winner, Best Sound Design, The Acorn
2019 FilmQuest Winner, Best Sound, The Automaton
2016 MPSE Golden Reel Award Nominee, Best Sound Editing, The Division: Agent Origins
2014 MPSE Golden Reel Award Nominee, Best Sound Editing, Video Game High School
Blog
Credits
Some things I’ve done!
100 Foot Wave
Immortality
Audio Director
-MPSE Golden Reel Award Winner, 2023-
Mo
Sound Effects Editor
-Music+Sound Awards Nominee, 2025-
DEVO
Sound Designer
-Grammy Nominee, 2025-
The Division: Agent Origins
Supervising Sound Editor
-MPSE Golden Reels Nominee, 2015-
CONTACT
Please email inquiries to: kevin@senzaki.com